How far would you go to write a story that gets read? Is it still journalism when you are the story? At what point is it a journal, like a diary or log, rather than a news story? How far will a stunt journalist go before the story is about the danger of performing your own, untrained and irresponsible stunts?
When did journalism get so physically degrading? Immersive journalism is not new. In 1887, the reporter Nellie Bly feigned insanity in order to be committed to a New York City insane asylum. Her stay resulted in a landmark undercover account of appalling conditions at the Women's Lunatic Asylum. Eighty-odd years later, Hunter S. Thompson wrote a manic first-person account of the 1970 Kentucky Derby, which more or less invented the genre now known as Gonzo journalism. If the modern stunt essay has a film antecedent, it’s Super Size Me, Morgan Spurlock’s 2004 hit documentary chronicling his own attempt to gorge on nothing but McDonald's food for 30 days. However jokey it seemed, the stunt served the public interest in clear ways: Spurlock drew national attention to the obesity epidemic, and McDonald’s discontinued its Super Size option shortly after the film premiered. Less journalistic value is accomplished by ingesting nothing but alcohol for a week. Duy Linh Tu, the journalism professor, wonders whether the term “stunt journalism” is a misnomer. “I don’t think all of this is journalism,” Tu says. “I’m not making a quality judgment. It’s all content.... [But] you won’t be able to build a long-term journalistic organization pulling these stunts.” This is an old journalistic instinct—don’t look for a story, be the story—funneled through new media channels. It’s not the recklessness that’s new (war reporters have long put themselves at risk) but the desperation. Still, what the stunt piece and the personal essay have in common is that the best writing stems from horrible experiences—and that neither of them are going away soon. The stunt craze is liable to change how would-be journalists go about breaking into the industry. Or maybe it already has.Source: Are We Living in a Golden Age of Stunt Journalism?